Ra One (2011) *MQ*
“Raavan kabhi marta nahi. Issi liye tum har saal usse jalate ho.” The bad guy gets the best line in the film. Sadly, his screen time is minimal. Ra.One comes alive every time the good (G.One, Khan) and the evil
Articles By: octron 
Soundtrack (2011) *LQ*
SOUNDTRACK can easily be classified as an experiment in creativity. It’s a bold move by director Neerav Ghosh who has found willing backers in his generous producers. Not everyone gets a chance to explore the realms of his thoughts and
Mausam (2011)
There is an absolutely devastating moment of pure drama in this eagerly-awaited far-from-disappointing romance where Shahid Kapoor, playing one of the most deliciously challenging roles of his career, espies from a train the lost love of his life, Sonam Kapoor,
Chillar Party (2011)
Once again filmmakers with small budget but big content have shown that all it takes to make a film is to have the right story, right direction and right acting. And maybe that’s just what attracted many Bollywood celebs towards
Delhi Belly (2011) *MQ*
Move over glossy, mega-starrer, slapstick films, it’s time for some in your face humour. A humour that may either be denounced by the moral patrols or be revered by people who don’t mind calling spade a spade… and the film
Murder 2 (2011) *MQ*
We live in an era wherein brands and franchise have become the order of the day. When a movie works with the audience and also has strong recall value, the film-makers plan to keep the franchise breathing by either making
Zindagi Na Milegi Dobara (2011) *LQ*
By and large, after graduating from school/university, before one steps into a fresh phase in life, friends do settle on having some fun… It could be an extended bachelor party. It could be an excursion. Living each moment to the
Shaitan (2011)
We all subconsciously inhibit our inner demons and in a typical Freudian explanation of human psyche involving the Id, Ego and Superego. We all harbor our twisted thoughts and deviant feelings in the desirous Id which in turn gets suppressed
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